A La Sala – Khruangbin

A La Sala by Khruangbin

Khruangbin’s A La Sala feels like a sunlit road trip through a desert of the mind—minimalist, hypnotic, and effortlessly cool. The Texas trio—Laura Lee Ochoa (bass), Mark Speer (guitar), and Donald “DJ” Johnson (drums)—returns to their roots with this fourth studio album, stripping back the cosmic sprawl of 2020’s Mordechai for a tighter, more introspective groove. Clocking in at 12 tracks, A La Sala (Spanish for “to the room”) invites listeners into an intimate space where funk, surf rock, and global influences swirl like dust motes in a shaft of light.

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Alligator Bites Never Heal – Doechii

Alligator Bites Never Heal by Doechii

Alligator Bites Never Heal by Doechii showcases the Florida rapper’s immense talent and versatility. Released through Top Dawg Entertainment and Capitol Records, this project marks Doechii‘s full-length debut, cementing her status as one of the most promising voices in contemporary hip-hop.

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III – Sumo

III by Sumo

SUMO’s third album, III, is a sonic odyssey that cements the Miami trio’s place in the heavy instrumental space rock scene. Clocking in at nine tracks, this album blends post-rock, sludge, and psychedelic textures, delivering both tranquil beauty and crushing intensity. Recorded at Sound Artillery Studio with Jonathan Nuñez (Torche), III is a seamless journey through cosmic chaos and serene soundscapes.

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Falling for Robots and Wishing I Was One – LØLØ

LOLO - Falling for Robots and Wishing I Was One

Falling for Robots and Wishing I Was One by LØLØ is an engaging debut that captures the essence of modern pop-punk with a dash of vulnerability. LØLØ, the stage name for Toronto’s Lauren Mandel, has crafted an album that speaks directly to the heart of her generation, dealing with themes of love, heartbreak, and the complexities of human emotion versus the cold indifference of “robotic” partners.

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The Legend of ABM – Angry Blackmen

The Legend of ABM - Angry Blackmen

The Legend of ABM by Angry Blackmen is an audacious and visceral plunge into the psyche of black masculinity, capitalism, and the dystopian shadows of contemporary America. Quentin Branch and Brian Warren, the duo behind Angry Blackmen, have crafted an album that is both a sonic assault and an introspective journey, making it one of the most compelling entries in the industrial hip-hop genre for the year.

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